PROCEEDINGS meetings writing workshop for comics and animation I lead along with Luana Vergari for School Books for the comic and the translation of Bologna .
The past lectures with written exercises I have dedicated to ' analysis of the language of comics , deepening the inner workings of the narrative comic book, a study in my opinion preliminary and preparatory to writing a screenplay, as if you do not become aware of this, that the comic is a iconic language of images is, but with words, you can then learn to manipulate it, to break it down and reassembling it narratively.
must have a clear idea of \u200b\u200bhow to work the space and time within cartoons and boards and how their enjoyment by the player is decisive stimulate a critical reading of the comic is a step toward self-awareness as authors. In the comic
each element is "story", every image, word, sign, and then must select what is unavoidable for the purpose of the narrative .
Finally we went back to dealing views , creation of stories and characters characterization The importance of documentation and preparation of cards for characters and environments close to the composition of the subject and development of treatment .
The next meetings will devote to the writing of the screenplay .
(pictured above, painted by Edward Hopper: Conference at Night, 1949)
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